As the great-granddaughter of immigrants, I'm always interested in the foods, culture, art, and music that our ancestors brought with them from their native countries.
And I enjoy creating main and secondary characters who have immigrated from distant shores.
So, in my current wip, I again created a FMC from Norway. Admittedly, I knew next to nothing about Norway, its people, its food, or culture. I spent several days online researching these amazing but complex people. One of the art forms, rosemaling, caught my interest immediately.
The term, rosemaling, is likely based on the flower "rose" and "maling" meaning "painting". However, some dialects within Norway use the word "rose" to mean "to decorate". Combined, rosemaling can also mean "decorative painting".
Rosemaling Doorknobs |
History
During the 1700s and 1800s, ornamental painting was spreading throughout Europe. With Norway's strong tradition of woodcarving, metal work and decorative weaving, decorative painting was a good fit, and this joyful world of color and flowing floral patterns, unique to each region rose in popularity.
For about one hundred years, rosemaling was all the rage. Everything made of wood was painted...the walls, ceilings, bed and built-in cupboards. Freestanding objects such as bowls, trunks, dressers, clocks, and sleighs were especially popular to paint.
In the early-to-mid 1800s, the first wave of Norwegian immigrants hit the shores of the United States. Maintaining a strong ethnic identity both privately and publicly, these immigrants brought along some of their most treasured decorated objects such as trunks and bowls. Many of the skilled rosemalers--primarily men--also left Norway and traveled across the ocean. With them they brought the art of rosemaling and continued their work in America.
Per Lysne is often considered the father of rosemaling in the United States. He learned the art from his father in the 1800s in Norway and brought his skills after migrating to Wisconsin. He painted and sold items for extra income in the wake of the Great Depression. His work was featured in several newspapers and magazines, spreading the word about his work and the painting style. He is particularly known for his smorgasbord plates.
Currently, there is now a growing segment of Norwegian-Americans from the Upper Midwest who have taken on Rosemaling painting, offering more ways for them to pass on rosemaling skills and traditions to future generations.
Styles
Typically, backgrounds are white, red, black, blue or orange. Designs include geometric shapes such as cubes and squares, and architectural motifs as churches or fine houses. Flowers, both symmetrical and asymmetrical are grouped on stems with heavy line details on leaves. Transparent, bright colors, and saw-toothed borders, C and S strokes, scrolls, flowing lines, floral elements, dots and teardrops, and cross-hatching are also used.
Greatly imitating the woodcarving of the time, the predominant scrolls and leaves of Gudbrandsdal are painted to show great depth and dimension. The portrayal of the gradations of light to dark are the hallmarks of this style.
Flower elements are a predominant feature of Valdres Rosemaling with scrolls taking a secondary role or no part at all.
In my upcoming release, Lefse by Linnea (Old Timey Holiday Kitchen series), Linnea Nyland finds something tucked away in a Rosemaling chest similar to the one pictured below.
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