Thursday, June 24, 2021

Behind The Fight: Quilts of the Civil War by Jo-Ann Roberts

 Both Union and Confederate women rallied to the war effort when the Civil War broke out in 1861. Patriotic fervor abounded, with both sides certain the war would be short and decisive. Unfortunately, the war that was supposed to "only spill a thimble-full of blood" dragged on for four long and bloody years. Shortly after the siege of Fort Sumter, it became clear there was a desperate need for blankets, clothing, linens, and bandages.

Northern and southern women, forbidden by the cultural norms and decrees of the day were "forbidden" to enlist in their respective armies. Ever resourceful, these women "fought" the war and healed its wounds in their own way...from the home.


U.S. Sanitary Commission
Northern women, accustomed to gathering and sewing for a cause, changed their focus from abolitionist causes to helping soldiers. Established in 1861, the U.S. Sanitary Commission supported the sick and wounded soldiers of the Union Army. Soon the need for bedding became apparent and the commission added the collection of donated quilts to their activities.

At first, family quilts were donated but very quickly women began to sew quilts--seven feet by four feet--specifically for a military cot. Most quilts were made from available fabric, but sometimes were made by cutting up existing quilts then sewing them into three cot quilts.

Each quilt distributed by the Sanitary Commission had a patch, similar to the one below, sewn on the back of each quilt.


Soldiers' Relief Societies
In the South, where the population was smaller and more dispersed, and loyalties were more attached to individual states rather than the Confederacy, women's aid societies were scarce, and somewhat hindered in producing bedding for soldiers because they did not have a tradition of sewing for causes. In addition, wealthy women were accustomed to having slaves do the everyday sewing. Soon, these women, too, learned to sew. With the war being fought literally in their yards and fields, and their Confederate economy devastated by the Union blockade, the arrival of all goods was severely curtailed.

Although the South grew cotton, so entwined with the causes of the war, the North manufactured the cloth. Once pre-war textiles were depleted, fabric became scarce, with calico costing as much as $25 a yard by 1865. Many rural women and slaves turned to the art of spinning and weaving, as a popular song of the times proclaimed,
"Three cheers for the homespun dress the Southern ladies wear."

Homespun, once worn only by slaves and the very poor, was now worn proudly by Southern women.

  


Bazaars for the Northern Cause
Bazaars were held in the North where quilts were made with expensive fabric and donated to raise funds. These bazaars had already been established to raise money for churches and various causes. Now those funds went to the war effort. Although some publicly disapproved of women "working" in any commercial venture, patriotism won the day as a great deal of money was raised for Union supplies.

 


Southern Gunboat Quilts
   "The cause is a noble one, the effort is sublime, and the moral effect will reach far beyond the deadly projectiles which the contemplated gunboat can send. If the women take it up with a will, there is no word as fail."                        
The Mobile Register & Advertiser, 1862 

When the war shifted to the rivers, Southern women did what they could to buy desperately needed gunboats. Enthusiasm was high as communities vied to raise funds. Some of these more elaborate quilts used cuts from printed fabric in a medallion-style floral pattern. These motifs were appliqued to fabric in a method called broderie perse (Persian embroidery), requiring very fine sewing skills. Through the women's efforts, raffles, donations, and fairs, enough money was raised to pay for three gunboats.


By the spring of 1862, when Confederate defeats appeared likely that their seaports would fall to the Union, enthusiasm for this project waned. Instead, the women's efforts went to aiding their soldiers.


 

Everything and Anything Went into Making the Quilts
Quilts were generally made with basic fabrics and very simple block patterns. As the war progressed, time was an issue. The quicker the quilts could be made, the better.

Men's clothing, feed and fertilizer sacks, wool, twill flannel, old uniforms, sleeves, pocket-flaps, and pant legs were all used to make quilts. They were roughly put together with large "hen tracks" stitching. Practical and functional rather than beautiful, these quilts were made for warmth and comfort.

Old mattresses were torn apart for fiber to spin. Carpets, curtains. lengths of toweling were cut up and made into blankets.

Symbols of Allegiance
During the war, quilting became a necessary source of warmth for soldiers, as well as a significant source of revenue on both sides of the war effort. "Voting with her needle" was a common practice as some women would leave clues inside their quilt designs that might reveal their political opinions.

Confederate Silver, a basic patchwork design recalls the deprivations that started to appear in Louisiana. After a year and a half of war, even the basics were hard to come by.


Quilts of Gee's Bend
Boykin, an isolated, rural community in Alabama, is home to one of the most enduring examples of post-Civil War quilting. In 1816, Joseph Gee established a cotton plantation in the area. Gee left in 1845, and the property was sold but the name and slavery remained.

In recent times, Gee's Bend quilts have gained a worldwide following for their simplistic and improvisational style. Whether it was their isolated location or being forced to use whatever materials were on hand, their creations were a stark departure from classical quilts.


Unfortunately, very few original Civil War quilts made for soldiers have survived. As most of the quilts were hastily made and poorly constructed, many were used to the point of disintegration. These quilts got a great deal of wear, and more than likely not worth saving. Added to the fact that many soldiers were buried in their quilts, it is understandable why these quilts are quite rare.

By the war's end in 1865, more than 250,000 quilts and comforters were made for the Union soldiers. While the number of Confederate quilts made was far less due to the scarcity of material, Southern women rallied, continuing to raise funds for the sick and wounded any way they could.

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Tuesday, June 22, 2021

LESS TIME AND MONEY--Why My Mail-Order Brides Travel after 1869 by Marisa Masterson

I like 1870. Or 1871. Maybe 1872. Those years are better for sending a mail-order bride to the West in my novels. Anything after 1869.

But why the cut off of 1869? Something important happened in 1870 to change how a bride could more easily and cheaply travel. The Transcontinental Railroad. It's why I love sending brides out after June of 1869. 



Here's an interesting fact I found--the cost of a train ticket. "In 1870 it took approximately seven days and cost as little as $65 for a ticket on the transcontinental line from New York to San Francisco; $136 for first class in a Pullman sleeping car; $110 for second class; and $65 for a space on a third- or “emigrant”-class bench." (https://www.gilderlehrman.org/sites/default/files/inline-pdfs/Transcontinental%20Railroad%20Fact%20Sheet.pdf)  


Compare the ticket price to the cost of a six-month trip to the California by wagon. Traveling across the country in a covered wagon is estimated to have cost $1000. That's equal to about $20,000 today. (https://www.history.com/news/transcontinental-railroad-changed-america) It was a dangerous, uncomfortable, and expensive trip for some families. But also gave them hope. They were promised free land if they survived the journey--and most did. 

Sure a mail-order bride had to sit on a wooden bench for ten days to cross the country from the East. That small bit of discomfort paled next to the idea of cross the country as a part of a wagon train spending six months in travel or by stagecoach for twenty-five days. The $65 ticket helped settle the West.

Of course, the railroad didn't reach each small town in the territories. My character Liza still needs to travel by stagecoach to reach her groom. Let me tell you! After a few days in that coach, she's glad she didn't cross the whole country in it!



Twins as different as the sun from the moon. But which woman arrived in Silver Strike, Colorado to marry Adam Collins?

She calls herself Elspeth. How long will Liza be able to keep up the ruse? If she thought her groom would accept her as herself, she would abandon her sister’s plot. No, he wants her twin. Liza desperately wants him to learn to love her before Adam discovers who he really married.

Can liars ever prosper? Will Adam be able to forgive her when he discovers that he mistakenly married the wrong woman?


Sunday, June 20, 2021

THE HISTORY OF THE WEDDING CAKE - By Annee Jones

 


The History of the Wedding Cake

By Annee Jones

          When I began looking into the tradition of eating cake at weddings, I was surprised to discover such a strange and fascinating history surrounding this custom!  For example, in ancient Rome, a marriage was considered “sealed” when a groom smashed a barley cake over his bride’s head!  I'm pretty sure our hairstylists and makeup artists would have a fit if we did that today (not to mention the brides!!!).

           In medieval England, a couple used to kiss over a table piled high with bread buns which symbolized prosperity.  In France, this type of dessert came to be known as croquembouche and still remains a popular type of fancy pastry to this day.  After the wedding, guests who were not yet married would be invited to take a bun or two home to tuck under their pillows for good luck.  

       



           Another early tradition was having two cakes – one for the bride and one for the groom.  A glass ring would be placed within the bride’s cake and slices passed to all the unmarried young women.  Much like our modern tradition of tossing the bouquet, the lady who discovered that her piece contained the ring was considered next to marry. 

        Cakes at that time didn’t even contain sugar – ingredients ranged from boiled calf’s feet to oysters to lamb testicles!  Sugar didn’t became plentiful until the mid-sixteenth century.  As most of us know, refined sugar is white in color, whereas unrefined (aka “turbinado”) varieties can be much darker.  Having a cake topped with white icing not only alluded to the bride’s virginity but also conveyed the wealth of her family, since refined sugar was an expensive luxury.    

       The tradition of featuring a cake as a status symbol continued to grow in popularity during the Victorian period in  England.   Bakers began experimenting with ways to make the dessert bigger and bigger, thus inventing the tiered layer cake.  The larger the cake, the wealthier the family and the higher their social standing.  

   Bakers subsequently realized the top tier could be the perfect platform for featuring delicately crafted, edible art in various shapes and arrangements.  This in turn gave rise to decorations we recognize today such as sugar roses and tiny figures of the bride and groom, as well as fresh flowers which is particularly common in the Philippines.  In China, the couple cuts into the lowest tier first and gives the first slices to their parents and oldest members of their families as a form of honor. 

          I hope you've enjoyed looking through this fascinating history of old and modern wedding cakes! 


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About Me:

 


Annee Jones is an inspirational romance novelist who enjoys sharing her heart and imagination with others.  She is passionate about writing stories that offer hope and encouragement and likes to think of her books as “romance filled with faith and a sprinkle of fairy dust!”

Annee is also a professional book reviewer for Publishers Weekly in the genre of faith-based fiction (fun tidbit: she writes many of the editorial reviews you see on Amazon).

Professionally, Annee works as a disability counselor where she helps her clients navigate through complex medical and legal systems while rediscovering their wholeness in Spirit.

Connect with Annee here:

www.anneejones.com

https://www.facebook.com/groups/anneesangelgroup

https://www.facebook.com/AuthorAnneeJones


Sources:

https://www.smithsonianmag.com/arts-culture/the-strange-history-of-the-wedding-cake-1-63011094/

https://en.wikipedia.org/wiki/Wedding_cake





 

 

 




Friday, June 18, 2021

California's First Lady Lawyer: Clara Shortridge Foltz by Zina Abbott


 

In 1878, Clara Shortridge Foltz began her quest to become California’s first woman lawyer. A mother of five small children abandoned by her husband, Foltz turned to the law “[n]ot from ambition and defiance of the norms of womanly conduct, but out of desperation,” in order to support her family. Although she turned to working as a lawyer to raise five children, mostly as a single mother, she encouraged women not to overlook their traditional domestic roles.

Clara Foltz was one of several intelligent women who understood the prejudices of the society in which she lived which relegated women to the home. However, she could not support herself and five children on the earnings of “traditionally” accepted female jobs like laundress, seamstress, or cook. She refused to bow to the detractors who discriminated against women joining any profession considered the domain of men.

Her name Clarissa Shortridge, she was born in Milton, Indiana to Talitha and Elias Willetts Shortridge, who was both a lawyer and preacher. Prior to the Civil War, the family moved to Mount Pleasant, Iowa. There, Clara attended a co-educational school (rare at the time). Her father often lamented that it was a shame she had been born a girl and not a boy, because she could have developed into a gifted lawyer.

In December 1864, at the age 15, she eloped with a farmer and Civil War veteran named Jeremiah D. Foltz. As children were born to them, he found it difficult to support his family. The Foltzes moved several times, first to Portland, Oregon, and second in 1872, to San Jose, California. During these times, she contributed articles to the New Northwest and the San Jose Mercury.

Around 1876, her husband abandoned Clara for another woman, leaving her with five children under the age of 11. She began studying law in the office of a local judge, in part through the support of local suffragette Sarah Knox-Goodrich. Starting in 1877, she also supported herself by giving public lectures on suffrage.


There were about fifty women attorneys throughout the United States. However, California prohibited women from practicing law due to the California's Code of Civil Procedure which prohibited women from joining the profession, expressly stating that only a "white male citizen" could apply to the bar. With the help of several male allies, suffragist campaigners, a supportive local press, and her mother's assistance with child care, Foltz successfully lobbied for a new bill, the Woman Lawyer's Act, that allowed women to take the bar.

Thanks to Foltz's commitment to her studies, legal training from her father and his partner C.C. Stephens and a local legal club where aspiring attorneys practiced arguing cases, Foltz passed the bar in 1878, just four months after the Woman Lawyer's Act was passed. This bill allowed admission to the bar of “any citizen or person.” The law was one of the earliest American statutes allowing women to practice law.

Clara became the first woman lawyer on the US West Coast. She practiced law in San Francisco. She sought courtroom work, but, at her core, she was a reformer. She believed that women attorneys “should work to improve the administration of justice.” 

Later that year, she wished to improve her knowledge and skills by attending law school. She and her ally, Laura DeForce Gordon, applied to Hastings College of the Law in San Francisco, which was part of the University of California. They were denied admission based on their gender.

Hastings School of the Law

Drawing upon both the Woman Lawyer Bill and the soon-to-be-ratified equal opportunity in employment statement in the constitution, at the state Supreme Court, Foltz and Gordon argued successfully that the state-supported Hastings Law School should not deny admission to women on the grounds of their sex. They were able to argue that, if women could serve as lawyers, they must certainly be allowed to attend law school at the University of California, which was a coeducational school. Judge Morrison agreed, and in Foltz v. Hoge ruled that Foltz and Gordon should be admitted to Hastings.

Although Clara Foltz successfully obtained admission for all qualified women to Hastings, the work to win the case left her impoverished. She returned to her legal career instead of pursuing her dream of attending law school. In addition to San Francisco, she lived in New York for four years in an attempt to build a corporate law practice. She ended up in San Diego.

It was Clara Foltz’s belief that "Genius, talent and hard labor know no sex." She was responsible for a number of firsts:

 

 * She spearheaded legislation to allow women to become law school students, notaries public, and administrators of estates.

 * In 1880, Foltz became the first female clerk for the State’s Assembly’s Judiciary Committee.

 * The first woman appointed to the State Board of Corrections.

 * The first woman named director of a major bank.

 * The first female licensed Notary Public.

 * In 1890, she led a campaign for nationwide public defenders' offices—over two decades before California got its first.

 * In 1910, Foltz was appointed to the Los Angeles District Attorney's Office, becoming the first female deputy district attorney in the United States. 

 * In 1930, at the age of 81, she was the first woman to run for governor of California.

Clara Foltz’s other accomplishments included being active in the suffrage 

movement and authoring the Women's Vote Amendment for California in 1911. She also founded and published the San Diego Daily Bee, and New American Woman Magazine, for which she wrote a monthly column until her death.

Clara Foltz died of heart failure on Sept. 2, 1934, at the age of 85. She was at home in Los Angeles at the time.

Clara Foltz’s legacy continues to inspire women who pursue the legal profession. At the insistence of its women students, Hastings College of the Law granted Foltz a posthumous degree of Doctor of Laws in 1991. Also, the primary social space inside UC Hastings's McAllister Tower student housing complex was christened the Clara S. Foltz Lounge.

In 2002, the Criminal Courts Building in downtown Los Angeles was renamed the Clara Shortridge Foltz Criminal Justice Center. 

 

Clara Shortridge Foltz Criminal Justice Center, Los Angeles

 ~o0o~


In keeping with my interest in genealogy research, I have studied early California laws and some of the accomplishments of early women in this state. I was pleased that my preparation for my novel, A Lawyer for Linton, led me to learn more about the pioneering women in California’s legal system. To find the book description and purchase link, please CLICK HERE.

 

 

 

Sources:

https://www.calbarjournal.com/March2012/TopHeadlines/TH4.aspx

https://www.berfrois.com/2013/08/jill-norgren-american-rebels-women-lawyers-nineteenth-century/

https://www.kqed.org/arts/13863165/the-wests-first-lady-lawyer-opened-doors-for-women-in-law

https://en.wikipedia.org/wiki/Clara_Shortridge_Foltz

 

Thursday, June 17, 2021

Cowboy Sayings - Do You Have a Mouse in Your Pocket?


The image is a funny one. A mouse in someone’s pocket—it brings to mind the possibility of an unsavory pet that someone carries with them, at least in the 1800’s American West it would have been an undesirable one. Since concrete was not used in the building of homes until 1875 in the Northeast, it was customary to have hardwood floors and completely wooden homes. Unfortunately, wood is not one of the building materials that keeps varmints like mice out of the home, especially in winter. There is a reason Ralph Waldo Emerson said, “If you build a better mouse trap and the world will beat a path to your door.” The rodents made life harder, and they were rarely seen as pets as some do today.

But why, then, would a cowboy ask another if he has a mouse in his pocket?

It’s a way of saying, don’t include me in what you’re saying. You don’t speak for me.

For example, if one cowboy were to say to another, “We really need to get this barn cleaned up before supper.”

But the other cowboy doesn’t see the chore as his responsibility, he might ask if the first cowboy has a mouse in his pocket, since his “we” couldn’t possibly refer to more than himself. The "we," therefore, must refer to the first cowboy and the mouse in his pocket and not the second one.

It’s a funny, yet mildly insulting way of telling someone that they are not included in the “we” and are not interested in being included. Have you ever heard this saying before? Used it yourself? Could you see yourself using it now? Let me know in a comment!


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Wednesday, June 16, 2021

WHY & HOW?

 Post by Doris McCraw

writing as Angela Raines


Why do we blog? How do we get readers to visit our musings and research? These questions have been on my mind for some time. 


I think most of us blog to have our work recognized. We want people to know what we have been doing, what we've been working on, and what excites us. We enjoy the feedback we used to get when people would comment. But like everything else, we have to contend with those who would ruin it for so many others. I'm speaking of the hackers and spammers. 

Blog sites have reverted to previewing comments, and when the administrators are busy, those comments are overlooked.  If you do let comments appear without vetting them, you get some pretty ugly or useless pieces in those comments. Then the administrators have to go in and delete those inappropriate posts. I've wondered about solutions, for I don't like to highlight a problem without offering solutions, but this one has me stumped.

Additionally, with so many blogs out there, the competition is pretty fierce. Yet, those who love what we share and write deserve to hear from us. I confess it is for them that I continue to offer my research, my thoughts, and my writing. Even when readers of blogs drop off during holidays and summer, it is for the special people, the readers, that I write.

So may everyone enjoy what the year continues to offer and I look forward to what others have to share.

On a more exciting note, my bookversary for the first novella I had published is fast approaching. That story piece has led to a most enjoyable ride, that is still happening, just a bit slower than expected with life's interruptions.


 An excerpt:

      Clara hummed as she put the finishing touches on the venison roast. In the two years

since arriving in Agate Gulch she prepared an annual special meal for friends. The past year was

especially wonderful. Even the gingham curtains on the restaurant windows smiled with her

tune. She felt she could finally put Henrietta 'Ettie' Heath to rest. Clara Cross was her life now.

Oliver was in the past and would stay there.

     Sensing someone behind her, as she turned her friend Sally was standing in the door.

     “You know you should sing in the church choir,” said Sally.

     “Oh I couldn't sing in public. The idea of all those people looking at me and judging, I

couldn't stand it,” replied Clara with a shudder.

     Sally's millinery shop was next to the restaurant. They both lived in homes behind their

businesses. During the past winter, she and Sally developed a strong friendship. Still, how

could Sally, who was petite and pretty, understand Clara's fear of being laughed at. Music was

her special place and any criticism would destroy that. Something most people didn't understand.

     “Clara, they would love you. Just as they love your cooking and your kind heart.”


Until next time, happy reading, writing, and have a wonderful rest of the summer.


Doris Gardner-McCraw -

Author, Speaker, Historian-specializing in
Colorado and Women's History

Author of the "Agate Gulch" novellas and
the "Kiowa Wells" novels.

Angela Raines - author: Telling Stories Where Love & History Meet