Showing posts with label Dreams of Gold. Show all posts
Showing posts with label Dreams of Gold. Show all posts

Friday, September 23, 2016

How Setting Affects Character Building


When I chose Wyoming for the setting of Dreams of Gold, a western historical novella, I did so because WY is known as the equality state. Even before the territory gained admission to the United States, legislation was passed in 1869 that granted women the right to vote, serve on juries, and hold elected office. The territorial document was the first time a government had granted “female suffrage” and became law upon Governor A.J. Campbell’s signature on December 10, 1869.

Within three months, Esther Hobart Morris had been appointed justice of the peace in South Pass City (a site of gold strikes) to fill out a term for a man who’d been ousted. Her “courtroom” consisted of a wooden slab bench in her log cabin. Although she had no legal training, she had been the owner of a successful millinery business in her prior home state of New York. In her first case, she arrested J.W. Stillman, the man who had served in the position but refused to relinquish his court docket. She served for nine months and gave decision on 27 cases, 9 of which were criminal in nature. Her appointment as a judge garnered national attention, and she’s credited with encouraging (perhaps even co-authoring) the woman’s suffrage bill put before the legislation.
Esther courtesy of Wikipedia

Also noteworthy was that on September 6, 1870 in Laramie, Mrs. Louisa Swain was the first woman to cast a vote in a general election. She was 69 years old and described as “a gentle white-haired housewife.”

These facts were important because such events would have appeared in newspapers across the nation, establishing Wyoming as an area with a progressive attitude toward women’s rights. My heroine, Ciara Morrissey, grew to adulthood in the east, Massachusetts in particular. Living in an area of higher population gave her access to a wider number of opportunities—ways to support herself, as well as gatherings, colleges, and public meetings that educated and informed. Raised by a liberal-minded mother, Ciara had attended both anti-slavery and suffrage meetings since she was a child. Therefore, she arrived in Wyoming Territory in 1871 with expectations on how to conduct her business that were a bit more open-minded than the hometown sheriff, Quinn Riley, was used to. And the sparks flew…

BLURB: Sheriff Quinn Riley is tracking an Irish swindler and sticking close to the opinionated woman from the runaway stagecoach. Within hours, easterner Ciara Morrissey puts the town in an uproar by inquiring about his prime suspect.  He’s duty-bound to keep her safe, even when being close to the green-eyed beauty sets off a stampede in his heart.

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Friday, August 26, 2016

What’s in a Name?


One of the first steps in my writing process involves searching for just the right name that creates an image or impression for that character. For walk-in characters or ones with a small role, ordinary names are okay because as an author, I don’t want them to stand out or gain personality quirks.

For my main characters, I have always sought unique and hopefully memorable names. Probably a carryover from real life because that’s how I chose my own children’s names.

Another part of the initial creation is what ethnicity I want for the characters. Will this factor have an impact about their goals or possibilities in making a successful life? Often with historicals set in America, I need to factor in the time in history when a large number of a particular ethnic group immigrated. Can’t really have a story about Scandinavian farmers in the western Great Lakes area (present-day Wisconsin) in 1790 when the biggest influx wasn’t until 1830-1840. Or I can’t put a big number of Spaniards in Vermont.


In the meanings of the names, I find a personality characteristic that becomes a core element for that person. As I think of my heroes, I realize I choose one-syllable names a lot (Luc, Cord, Slade, Finn, Whit, Holt, Roark, Rey, Dez—to name a few). With those choices, I’m relaying a strength, a solidity for the heroine to rely on. As with many female names, the ones I choose for a heroine end in the letter “a” (Vena, Lyssa, Hanna, Rikka, Ciara, Kimbra, Dissa) which highlights a softer aspect of their natures.

When I was plotting my story Dreams of Gold, I wanted a name for my Irish heroine that flowed off the tongue and that the reader could envision was being spoken with an accent, so I picked Ciara Morrissey. For the hero, I wanted a name that conjured the image of a no-nonsense man. My ex-soldier became Quinn Riley.

So, next time you start a new romance story, consider the author’s intent in choosing the names to fit the characters.



BLURB:

1871, Wyoming Territory

Easterner Ciara Morrissey travels west to honor a sacred promise to her mother and locate her fortune-seeking father. Three years of acting as caretaker to her grandparents and mother until their deaths has created a thirst in Ciara to see what the wide world has to offer.

Sheriff Quinn Riley has been tracking the Irish charlatan who swindled half the population of Bull City, Wyoming. He’s determined to stick close to the opinionated woman who arrived on the runaway stagecoach. Within only a few hours, easterner Ciara Morrissey upsets the townspeople by making inquires about his prime suspect. He’s duty-bound to keep her safe, even when being close to the green-eyed beauty sets off a stampede in his heart.






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